Or: A Big Reason Writing Is So Great.
Something that makes writing—or, most likely, most types of art—a unique field is that you always get to avoid what I call Core Curriculum Syndrome. You're probably familiar with it. It's not wrong to assume you've experienced it yourself, at least to some extent, and you've known others who've had it, too.
The key symptom of this condition is the cry: "When am I ever gonna use this?"
The Chemistry major whines about having to take English classes. The English major whines about having to take Mathematics classes. No matter what specialty someone has, it's, well, a specialty, and there are some things every school requires that really doesn't contribute to it by virtue of content. Certainly any situation, classroom or otherwise, can contribute to general growth as a person, but that's a lot different than a future medical examiner wondering why she has to rotely memorise the key painters of post-Impressionism (no grudges here, no, sir).
Yet as gripping as Core Curriculum Syndrome can be, there's a way out:
Anything could make it into a novel.
Let's suppose (quite reasonably) that knowing the key characteristics of Mannerist art won't help me in any post-mortem investigations. But maybe a character needs some spicing-up, and they may have an inclination towards painting. Maybe the next leg of the journey is in a museum, and I need to set the scene with a tour guide describing an art style in droning tones. Maybe a history-loving character needs some curious euphemisms related to the era he loves.
And so the dreaded syndrome vanishes. I'm not going to say that I eagerly await all experiences in life because I'm not quite that cured, but once I'm out of the worst of it, I can appreciate anything. I still sort of want to throttle whoever decided I still need to take general chemistry after getting a 5 on the AP test, but there are people to meet in that class and corny jokes to hear. Actually, this extra class of chemistry might be my best example of dealing a crushing blow to Core Curriculum Syndrome—somehow it led to me writing (and enjoying) an inane fan fiction that gives chemistry lessons.
This phenomenon isn't even restricted to academic experiences. Even something as simple as riding somewhere (whether I wanted to go there or not) in a car and catching a glance of a truck with vampire teeth on the grill can turn into a story; in fact, my thought that that truck must have been its driver's baby was what got Macbay Transportation Services started.
So, what do you think about Core Curriculum Syndrome?
Totally agree- almost everything in life can make for a great part of a book with a little exaggeration. And great way to look at unwanted situations.
ReplyDeleteThanks! I guess all books are based on life at least on some level, so it just really depends on whether or not I'm willing to go somewhere with what I experience.
DeleteYou make some very good points there! I've found myself succumbing to Core Curriculum Syndrome as well (seriously, where are redox reaction equations going to come into a history major?) but looking at it in this light makes it all a bit more enjoyable. Also, I saw on your profile that you wanted to be a medical examiner, but I didn't equate it with looking at dead bodies until this post. Now your career choice makes so much sense...
ReplyDelete(Not that I'm trying to imply you can't do anything that doesn't involve death. I'm just joking around. :P)
Haha, redox... We're actually doing some of that now, too, so I've been wondering if I could put some in LiCvH, but it's a bit hard to work out.
DeleteOh, yes. I'm much better at tolerating the dead than the living, so it seems like a decent choice of career. And if I'm going to satisfy my fascination with methods of death, it's *probably* a bit more moral to let time and/or accident do the dirty work instead of me.
*Probably*? Oh, you. :P
Delete